a5c7b9f00b James Reece is an ambitious aide to the U.S. Ambassador in Paris, doing little jobs for the CIA and hoping to get into black ops. On the night he and his girlfriend, Caroline, become engaged, he's told to pick up Charlie Wax at Orly. Charlie is an unorthodox government employee - large, bald and bearded, foul-mouthed and eccentric. Charlie immediately takes James on a wild ride of murder and mayhem, through ethnic enclaves. As bodies pile up, the purpose remains opaque to James. Caroline, unhappy that James has been out of touch for a day, tells him to bring Charlie for dinner. Charlie can be charming - where will it lead? Does the chess-playing James have what it takes?
In Paris, a young employee in the office of the US Ambassador hooks up with an American spy looking to stop a terrorist attack in the city.
Director Pierre Morel (Taken) teams up once more with writer Luc Besson (Taken, the Transporter series) for another action-packed flick ironically entitled "From Paris with Love".<br/><br/>Yes, the story is set in Paris, where James Reece, played by Golden Globe Best Actor winner Jonathan Rhys Meyers (Elvis), plays administrative assistant by day in the US Ambassador's office and small-time secret agent by night. Itching for some action, Reece's boss relents to his request to do more than just switch license plates and partners him up with loud and brash Charlie Wax, an American spy played by two-time Oscar Best Actor nominee John Travolta (Pulp Fiction, Saturday Night Fever), who is hell-bent on stopping a terrorist from attacking the city.<br/><br/>Rhys-Meyers and Travolta succeed in playing one of the oddest tandems to ever hit the screen. Rhys-Meyers seems to have finally landed the manly action-star role he's never played; this must have been such a big break for him; however, while I liked him in his previous movies where he plays androgynous royal types so well (The Tudors, Matchpoint), his silly mustache and constant poker face in this flick may have played up the discomfort of his transition from deskjob to field a little too well. He just wasn'tcharismatic and could not hold up to Travolta, who was a delight to see in such a refreshing, overtly bad-ass role. It could be because the dialogue wasn't written to make Reece sound witty anyway.<br/><br/>There was just something so inexplicably hesitant and clunky (poor editing, perhaps?) when there isn't any action to be had on screen, which is quite unlike Morel and Besson's successful balance of drama and action in "Taken". In any case, trivia junkies will appreciate the not-so-sly nod to McDonald's Royale with Cheese, also Travolta's character's fave in "Pulp Fiction".
Saw this in theatres yesterday and i have to say that if this movie was a 00's film it would be in my top 5 best movie of 00's.For me it's the best Travolta movie ever.This is a *beep* bad-ass start for the decade.<br/><br/>This movie is like Training day a little bit,like James Bond too.<br/><br/>I expected a good movie with some action,but it was more than that,there's like 4-5 good shootouts.Violent kills from beginning to the end,you guys are gonna like it.And a few laugh too,this movie reminds me of the 80's a lot.<br/><br/>Charlie Wax is one bad-ass mother*beep*<br/><br/>Jonathan Rhys MeyersJames Reece was good too,i like this guy<br/><br/>What i liked : NO CGI at all which is great,even in the car chases and explosions R rated <br/><br/>Body count : 35 Very violent but not too over the top<br/><br/>Story was good and i didn't get bored at all(except for the first 15 minutes)<br/><br/>What i didn't like: The ending(last 5 minutes) and the first 15 minutes<br/><br/>This is worth every $ guys i'm telling you<br/><br/>The rating right now is a 6.5/10 which is insane,this movie deserve an higher rating than Taken.I can't give it less than a ….10/10 it's *beep* bad-ass.<br/><br/>Do yourself a favour and watch this in theatres,don't waste your time to download it,this movie needs to make his money back right now.<br/><br/>Taken 9/10 From Paris with love 10/10
To his credit, Travolta hams it up with the kind of laissez-faire irony that might have made the film a tongue-in-cheek pleasure, had his attitude extended to the filmmakers.

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